Quantcast
Channel: FOLK YOURSELF
Viewing all 862 articles
Browse latest View live
↧

Balarù - Gravure (2018 Italy) @320

January 24, 2020, 2:30 am
$
0
0

BUY ALBUM HERE 

After years travelling and playing traditional dance music around Italy and Europe, four young musicians decided to join forces in this new project: BALARU’ (in Piedmont dialect, those who love to dance). BALARU’(Andrea Beltrando, Francesco Cavallero, Andrea Lopomo and Ilario Olivetti) set the goal of repurposing, in the Balfolk European scene, the traditional dances of their province the Piedmont, in the North West of Italy.

The work started in September 2015 with field researches, the recovering of old recordings and new arrangements of ancient popular melodies, in order to represent an important and almost unknown traditional repertoire.

In this recording you can listen to tunes from different areas of Piedmont (Val Chisone, Canavese, Val Varaita, Roero, Valli di Lanzo, etc.) along with original compositions (L'amore è.., Il Profeta, L'aiga verd, Crepuscolar) all arranged to be danceable not only as local dances, but also in the well-known French and European balfolk style.

After two more years of concerts and workshops, the band wished to leave a memory of the path made with Gravure, (engraving, carving in dialect) to carry on the precious work done by many researchers that from the 60s have revitalized wonderful melodies and songs, literally tearing them to oblivion. The hope is to have given new life to these melodies, making sure that they are still sung and danced at parties, for present and future generations.

Tracklist:
1. Ciamo scusa / L'amore è... (circolo)
2. La femme d'un tambur / Polka di Quintino (polka)
3. La Diana / Il profeta (chapelloise)
4. Gentil galando / Valse à Fleuret (valzer)
5. Courenta di Viù (courenta)
6. Chanson d'un buveur (chapelloise)
7. Mountava la marmitta / A la moddё d'Archamoura (bourrée 3t)
8. Vilain d'anglais / L'aigà verd (scottish)
9. Dessur la fleur da lys (valzer)
10. Chanter boire et rire rire (bourrée 2t)
11. Brando a feu (sbrando)
12. Crepuscolar (valzer 5t)

Francesco Cavallero: Hurdy gurdy, voice
Andrea Lopomo: Bouzouki, tenor banjo, voice
Ilario Olivetti: Bagpipes, clarinets, flutes
Andrea Beltrando: Diatonic accordions

Guest artists:
Laura Torterolo: Voice
Federico Chierico: Alpine percussions
Roberto Bacchin: Snare drum

↧
Search

Bester Quartet - Krakoff (Poland 2013) @320

January 29, 2020, 9:05 am
$
0
0

This, their ninth album, is a live recording at the National Philharmonic Hall in Warsaw, captures the band before "The Golden Land" album was released and features mostly music from their previous album "Metamorphoses", a couple of pieces from earlier albums and one sneak preview of a Gebirtig tune. The quartet includes Bester, violinist Jaroslaw Tyrala, multi-instrumentalist Oleg Dyyak and the new young bass player Mikolaj Pospieszalski. They all perform elegantly, spotlessly and obviously are highly spirited. Of course as a band they are perfectly together and they respect each other's space, allowing for extended improvised passages.


01 - Hope
02 - Schlojmele Lieber
03 - Ecce Homo
04 - Metamorphoses
05 - God-Forsaken
06 - The Magic Casket
07 - Fantasia
08 - Solitude
09 - The Time Of Freedom
10 - Spectre
11 - A Devilish A Tale
12 - The Colours Of The Heavens

 
Accordion – Jaroslaw Bester
Accordion, Clarinet, Duduk, Percussion – Oleg Dyyak
Double Bass – Mikołaj Pospieszalski
Violin – Jaroslaw Tyrala

↧
↧

Arbadétorne - Rimajures (2007 France) @320

February 1, 2020, 4:17 am
$
0
0
A third album fly high, respectful of the memory, and open to the light of the world. Arbadetorne succeeded in boosting the jig, proving that there is evolutive in the tradition.

Tracklist:
1. Les Garçons sont trompeurs
2. L'allée des Soupirs
3. La Foire de Cholet
4. C'est bien aimable un homme
5. Menteries
6. Le Diable sort de l'enfer
7. La Bergère et le Grison
8. L'échalier
9. Nicolas
10. La Bique au parlement
11. Le Curé de St Abbesse
12. L'Anguille dans la gerbe
13. Ma position est bien triste et cruelle
14. Le Voleur de Prunes

Michaël Auger (Accordéons Diatoniques, Voix)
Maxime Chevrier (Violon, Voix)
Jean-François Rambaud (Guitare, Percussions, Voix)
Emmanuel Vrignaud (Voix Lead, Veuze, Violon, Alto, Hautbois, Clac-Bois)


↧

The Shin - Many Timer (2004 Georgia) @320

February 1, 2020, 8:24 am
$
0
0
The Shin formed in 1998 in Germany where Zaza Miminoshvili and Zurab J. Gagnidze have been living since the end of the 20th century. In the early 21st century, Mamuka Ghaghanidze hurried to join them. Since then, The Shin has been on their musical mission as a trio.
The group members are well known even in their Georgian homeland as leading composers and musicians. They have scripted pieces for productions at the Tbilisi State Theater, numerous film, TV, and radio projects, have participated in various festivals and have won several prizes in recognition of their work.
Amazingly, The Shin are able to smoothly combine Georgian folk melodies with jazz, native polyphonic singing with scat, and in general the music of the near Orient with the modern sounds popular in the West today.

Tracklist:
1. ManyTimer (mravaljamier)
2. Dansa Caucasica
3. Went and Became Sad
4. Black Blackbirds Lamenting
5. Home Goes Silent
6. Nat Tsar Khek & Abdul Shah ill
7. The Epic Waltz of Mr QQ
8. Too Late?
9. Meeting
10. Mravaljamier (manytimer)

Zaza Miminoshvili: guitars, godin fretless guitar, also guilty for all non-acoustic synthetic sounds
Zurab J. Gagnidze: acoustic bass, e-bass, lead vocals, just vocals, back vocals, crowd
Mamuka Ghaghanidze: lead vocals, just vocals, crowd
Raymond A. Kaczynsli: drums, cajon 


↧

The Shin - EgAri (2006 Georgia) @320

February 1, 2020, 8:36 am
$
0
0
The Shin, in their search for a sound that is definitively Georgian, has created a trans-regional fusion of various Georgian styles. Their project EgAri is based on Georgian instrumental music, traditional polyphonic vocals, and folk dance, and unites for the first time these quite separate segments of Georgian culture. It is an unusual, and highly non-traditional combination of archaic and modern, Caucasian and non-Caucasian instruments, elements of Georgian harmonies with diverse jazz threads. The Shin are not iconoclasts, however. Only what continues to evolve will remain — in that spirit, The Shin see themselves as safe keepers of Georgian traditions, not its destroyers.
EgAri brought together the best musicians on the national scene, in particular virtuosos of the archaic instruments. EgAri is the reinitiation of a peaceful dialog between East and West, old and new, “Ours” and “Not-Ours”, that has been characteristic of Georgian culture for centuries. This dialog is recognizable in the poetry of Rustaveli, the paintings of Pirosmani, the architecture of Tbilisi, the choreography of George Balanchine (Georgi Balanchivadze), the films of Otar Ioseliani, and yes... …the music of The Shin.

Tracklist:
1. Take this morning
2. Old friend
3. Chips on the water
4. What then?
5. Swanny waltz
6. Born in the saddle
7. Grass & asphalt
8. On tiptoes
9. Standard lullabby
10. Grandma's blessing

Zaza Miminoshvili - guitars, panduri
Zurab J. Gagnidze - bass, vocals
Mamuka Gaganidze - vocals, percussion
Mamuka Chichinadze - vocals, bass
Guivi Bakuradze - Gesang
Alexander Hizanhishvili - chonguri, duduki, salamuri, chiboni, chuniri
Hvicha Hvitisiashvili - panduri, duduki
Zviad Totiauri - solo duduki
David Shirtladze - doli

 
↧
↧

Eoin Dillon - Pondelorum (2016 Ireland) @320

February 8, 2020, 6:04 am
$
0
0
A work of genius, or madness, or possibly both, Pondelorum is the third solo album from piper Eoin Dillon, formerly with Dublin musical pioneers Kila, joined here by a cast of thousands - or at least dozens - of guest musicians. Although there are copious notes with this CD, they tell us little about the music, instead being filled with poems, anecdotes, exhortations and depositions. I'm assuming that Dillon wrote everything not otherwise ascribed, both music and text. This enigmatic character does tell us a little about himself here, if he's to be trusted: born in Dublin in 1971, to the bells of Christchurch (I bet his mother was thrilled), drifting off the beaten track soon enough, and these days freewheeling with no brakes and little sense of direction, but things don't seem to be going too badly if this recording is any indication.

Eoin Dillon's piping is tighter, sharper, at times more urgent than on his previous albums. The opening Dancing On The Radio is a lovely lyrical piece, showing great control under Eoin's wild open technique, while Flor Begley The Piper From Crossbarry pushes on at a gallop, heedless of obstacles. The clever Christchurch Bells combines a pulsing reel with those portentous peals. Uisce Faoi Thalamh resembles the classic 17th century airs of aristocratic Ireland, with their songs of faery and fey spirits, beautifully played on pipes and harpsichord. Dillon finishes with a slow piece, more jazz than trad, drums and trombone evoking Soho rather than Smithfield. There are some imperfections here, more on the whistle than the pipes, but this is an outstanding album and a rare treat for anyone with an interest in the future of Irish music. I should point out that the track names on the sleeve are quite different from those in the notes, so don't trust your eyes on Pondelorum. Rely on your ears.
(c)Alex Monaghan

 Tracklist:
01. Dancing on the radio / Port Con Durham
02. Marina's kitchen
03. Pondelorum, featuring Bill Harte's Jig
04. Christchurch bells
05. Cock of the walk
06. Reel Hugo Chavez
07. Flor Begley, the piper from Crossbarry
08. Uisce fé thalamh
09. I shot the donkey
10. Swan song

Eoin Dillon - uilleann pipes, tin whistles
Graham Watson - guitar, elrctric guitar, mandola, bendir drum
Seanan Brennan - guitar, mandocello, banjo, aye
Brian Hogan - bass guitar
Mícheál Ó Súilleabháin - harpsichord
Josh Johnson - piano
Alex Borwick - trombone
Hugh O Neill - drums
Rónán Ó Snodaigh - bodhrán, bells
Brian Flemming - bones, djembe, darabuka
Aedín Martin - harp
Barry Carroll - hammered dulcimer
Éamonn Gall Dubh - saxophone
Cormac Mac Diarmuida - fidil
Fintan Jones - clarinet, sax
Margeurite Collins -flute, fiddle
Joe Doyle - bazouki

↧

Acetre - Dehesario (Spain 2007) @320

February 8, 2020, 7:46 pm
$
0
0

Acetre was formed in 1976 in the town of Olivenza, a meeting point between the Portuguese and Extremaduran culture. Uniting in the same project influences of perantonis, arvolás, pindongos, verdegios, fados and corridinhos, the oliventinos became a point of reference of traditional music in Extremadura. They premiered in the record world nine years later, in 1985, with the Extremadura record on the border.

Acetre has participated in many festivals and meetings of traditional music, as well as radio and television programs. In addition, he participated in the soundtrack of the animated film The Legend of the Unicorn and the short film Anytime Past ...


01. La danza del Mostrenco (J.Tomás Sousa)
02. Mae bruxa (Tradic/J.Tomás Sousa)
03. Hierba loba (J.Tomás Sousa)
04. Amores corridiños (Tradic/J.Tomás Sousa)
05. La rueda de la fortuna (Tradic/J.Tomás Sousa)
06. Al-Zerandeo (Tradic/J.Tomás Sousa)
07. Rama de alecrim (Tradic/J.Tomás Sousa)
08. Arandillo (Tradic/J.Tomás Sousa)
09. Taberna (J.Tomás Sousa)
10. A rola (Tradic/J.Tomás Sousa)
11. La dama coruja (J.Tomás Sousa)-Vals
12. Latifundia (Tradic/J.Tomás Sousa)
13. Yeyitu-vira (Tradic/J.Tomás Sousa )


Antonio Leyras: bajo
Ana Jiménez: voz
Laura Ferrera: violín
Ana Márquez: voz
Inés Romero: acordeón
Paco Croche: percusiones
Fran González: batería
Víctor Asensio: flautas, gaita extremeña y clarinete
José-Tomás Sousa: guitarra acústica, composición y dirección

Guests:
Robert Legall (Gwendal): mandolina, cistro y bouzouki
Gretchen Talbot (USA): Violoncello
Amin Chaacho (Marruecos): Laúd
Germán Díaz: Zanfona
Manuel Mendes: guitarra portuguesa


↧

Makám & Kolinda - Szélcsend Után (Hungary 1982) @320

February 9, 2020, 7:08 pm
$
0
0

Vinyl Rip. 96Khz/24 bit.

Makám & Kolinda - a domestic ambassador for world music - operated between 1980 and 1984. Musical predecessors of Kolinda and C.S.Ö. They were (Creative Studio Five) bands. While the music of the Carpathian Basin and the rhythmic and melodic world of the Balkans were brought from Kolinda through the compositions and folk song arrangements of Péter Dabasi, C.S.Ö. his improvisational chamber music, contemporary jazz and North Indian classical music reflected the works of Zoltán Krulik. During their short four-year existence, they toured Western Europe as a star orchestra at major world music festivals and produced two records for the Munich Records in the Netherlands, Makám and Kolinda (1982) and On the Way (1984). The 1982 release, After the Wind, was released in Hungary in 1984, courtesy of Hungaroton. He has been featured in several films by Pál Zolnay, including Kinga Illyés' Lyrical Oratorio (from the poems of Domokos Szilágyi). and Szabolcs Szőke Son of Man c. which was recorded by MTV. Following the split of the band, both Kolinda and Makam, on their own, have achieved significant success on international world-music stages - from Paris to Moscow, Copenhagen to Belgrade, Canada to India - and have produced about thirty multiple gold and diamond records in French, Dutch, German and domestic publishers. The 30-year anniversary concert brings back the most memorable songs of the four-year-old, but gives us a taste of Kolinda and Makam's own world and latest songs, spiced up with surprises.


01 - Töredék
02 - Szélcsend
03 - Szélcsend Után
04 - Két Népdal
05 - Trák Dallam
06 - Mese
07 - Hajnali Járat
08 - Tánc
09 - Bánatot Váltunk
10 - Két Fogás
11 - Gusla

Péter Kőszegi: Contrabass [Nagybőgő]
Szabolcs Szőke: Gadulka, Rebec [Gusla]
Zoltán Krulik: Guitar, Percussion [Ritmushangszerek], Vocals
Péter Dabasi: Mandolincello [Mandolincselló], Kaval, Vocals
Endre Juhász: Oboe
Eszter Matolcsy: Violin, Viola, Kalimba, Percussion [Ritmushangszerek], Vocals

↧
Search

Gwyneth Glyn - Tonau (2007 Wales) @320

February 10, 2020, 7:32 am
$
0
0
Gwyneth’s second offering of maritime melodies, inspired by true stories of ancestors at sea. Percussionist Pete Alan Richardson joins the band to create a more robust sound on ‘Cȃn y siarc,’ while the Parsons-tinged  ‘Dail Tafol’ and ‘Iȃr fach yr haf’ offer a country mellowness. Working with the producer Dave Wrench, Gwyneth’s song-writing reaches a new maturity in her debut release on her own record label, Recordiau Gwinllan.

 Tracklist:
1. 'Mhen i'n llawn 02:03
2. Dail tafol 02:40
3. Du ydi'r eira 04:02
4. O'n i'n Mynd i... 02:02
5. Y forforwyn 02:18
6. Cân y siarc 03:09
7. Dy dywydd dy hun 02:11
8. Tywod gwyn 03:08
9. Cariad 05:25
10. Pa bryd y deui eto 02:12
11. Pwyll a Macsen 02:59
12. Iâr fach yr ha' 03:33

Gwyneth - Vocal, Guitar
Peter Alan Richardson - Drums
Euron Jôs - Pedal steel, Guitar
Alun Tan Lan - Ukulele, Bass, Guitar, Banjo, Mandolin, Bouzoukii, Vocal
Heather Jones - Backing Vocal 

 
↧
↧

Gwyneth Glyn - Tro (2017 Wales) @320

February 10, 2020, 7:39 am
$
0
0
Tro, which is Welsh for ‘turn’, is the first major solo album from one of Wales’ most intriguing and talented artists, with a passion for language, who applies her delicate craft and exquisite gift to this compelling new work, which also features Senegal’s acclaimed kora player Seckou Keita and BBC Radio 2 Folk Award Winner Rowan Rheingans.

Tracklist:
1. Tanau
2. Cân y cŵn
3. Cwlwm
4. Ffair
5. Dig me a hole
6. Bratach Shi
7. Far ago
8. Y Gnawas
9. Caerdyni
10. What's a girl to do?
11. Os na wela'i di
12. Dan dy draed
13. Trafaeliais / Kidé-magni

Gwyneth Glyn – voice, guitare;
Rowan Rheingans – banjo, bansitar, violin, voc;
Seckou Keita – kora;
Patrick Rimes – violin;
Gillian Stevens – viol, crwth;
Jordan Price Williams – bass;
Mark O’Connor – drums, percussion;
Dylan Fowler – guitare, mandocello, dobro, kantele, tabwrdd, mbira, el.bass;
Dan Lawrence – shruti
↧

Déanta - Déanta (1990 Ireland) @320

February 12, 2020, 4:30 pm
$
0
0

Déanta (pronounced: Jaunt-a) is one of the top traditional Celtic bands in Ireland. 
Formed in Northern Ireland's County Antriam, the group is known for its tight, ensemble, playing and the crystalline vocals of All-Ireland champion singer Mary Dillon. According to Irish Music Magazine, "Unlike some of the other guns currently making waves on both sides of the Atlantic, Déanta have not gone down the well worn route of 'give it a dose of rocket fuel, foot to the floor, out blast The Bothy Band and divil the pillion passenger". 

In his liner notes for Déanta's self-titled 1993 album, Jackie Dixon took a similar view, writing, "The old values inherent in traditional music are held intact and are never under threat from modern influences that the band judiciously introduce into their repertoire." 

The musical foundation of Déanta was furnished by Katie O'Brien, who played fiddle and viola, and her brother, Eoghan, who played guitar and harp. The original group also featured Paul Mullan (flute, whistles), Clodagh Warnock (bouzouki, fiddle, bodhran, percussion) and Mary Dillon (vocals, synthesizer, guitar, harp). By the time that they released their second album, Ready for the Storm, in 1994, Mullan had been replaced by Deidre Havlin and Rosie Mulholland (keyboards, fiddle) had been added. 

Although they were one of the best selling acts on the Green Linnet label, each musician maintained a day job and the group toured rarely. In early 1998, Deanta announced that they were disbanding.
~ Craig Harris, Rovi


01. The Flight Of The Termite  3:22
02. The Green Fields Of Canada  4:33 
03. King Of The Blues  3:17
04. Cold Grey Fairyland  3:31
05. Willie Taylor  3:50
06. Harp Airs  5:21
07. Thousands Are Sailing  2:59
08. Gravelly Groove  3:08
09. Dark Iniseoghian  5:17

Kate OBrien: Guitar, Viola
Paul Mullan: Flute, Whistle
Clodagh Warnock: Bodhran, Bouzouki, Percussion
Eoghan O'Brien: Guitar, Harp
Mary Dillon: Vocals, Harp, Synthesizers

↧

Blowzabella - Two Score (2018 England) @320

February 15, 2020, 12:50 am
$
0
0
Tracklist:
1. Cé  04:44
2. The Uttoxeter Souling Song / Turner’s  05:03
3. SCCS Polkas  03:22
4. Coteeto  04:32
5. The Grenoside Processional Dance  04:45
6. Adam Was A Poacher  03:34
7. Camdence  04:17
8. The Lark Descending / Bushes and Briars  06:27
9. Juggler’s Jig / 481  04:21
10. Blackberry Fold  04:10
11. Lord Frog  05:12
12. Colin  04:06

Andy Cutting – diatonic button accordion
Jo Freya – vocals, saxophone, clarinet
Paul James – vocals, bagpipes, saxophones
Gregory Jolivet – hurdy-gurdy
David Shepherd – violin
Barn Stradling – bass guitar
Jon Swayne – bagpipes, saxophone
↧

Cecilia - Pastourelle (2018 Belgium) @320

February 16, 2020, 12:39 am
$
0
0
Tracklist:
01. De Zwarte Beek , Mols Hoop (Bourrée in 2)
02. Walsje voor Veerle (Wals)
03. Adeline / Adelijn (Scottish , Polka)
04. Paddenregen (Wals in 11 en 5)
05. On the Move (Tovercirkel)
06. Pastourelle (Mazurka)
07. ChouChenn / In de Wind (Bourrée in 3)
08. Camelus Dromedarius (Gavotte de l'Aven)
09. Zompige Zomer (An Dro)
10. Katrien (Mazurka , Wals)
11. Trol (Giga nr. 176) / Champs d'Elise (Rondeau en chaine)

Greet Wuyts - diatonische accordeon
Thomas Hoste - elektro-akoestische draailier
Jan Leeflang - doedelzakken
↧
↧

Déanta - Whisper of a Secret (1997 Ireland) @320

February 21, 2020, 5:59 pm
$
0
0

Déanta are based in Antrim and consist of five girls and one guy. They play traditional Irish music, and they play it like no other band on the planet. Unlike some of the other young guns currently making waves on both sides of the Atlantic, Déanta have NOT gone down the well worn route of "give it a dose of rocket fuel, foot to the floor, out blast the Bothy Band and divil the pillion passenger."

Déanta offer a rounded, more intelligent and coherent treatment of the tradition, they give the tunes life as well as lift; paying attention to tempo, time is given for melodies to develop and resolve. Ensemble playing is thoughtful and well worked. Guest musicians are employed to add and fill out the sound, as on the final track where the saxophone of Richard Buckley adds a flavour that is their own and not a poor pastiche of the Flannagan Brothers or Moving Hearts. The songs are equally impressive, perhaps the weakest is the old classic, The Blacksmith, whilst Andy M Stewart's Where are You? would surely please himself. The song, Willie and Mary (which is only given as a fragment in Gale Huntington's reprint of Henry's Songs of the People H89), is fleshed out here, and the anatomy is beautiful. If you like La Lugh, and the Ulster sensibility for the tradition, Déanta will knock your socks off.


01 - Two Days to Go
02 - Willie and Mary
03 - The Usual Suspects
04 - Paddy and the Bandit
05 - Lone Shanakyle
06 - Waltz of the White Lilies
07 - At the Crossroads
08 - The Blacksmith
09 - Cogair Ruin
10 - The Druid's Mountain
11 - Where Are You
12 - Scarta Glen Road

Clodagh Warnock: Bodhran, Bouzouki, Percussion
Kate OBrien: Fiddle 
Deirdre Havlin: Flute
Eoghan O'Brien: Guitar, Harp
Rosie Mulholland: Keyboards, Fiddle
Mary Dillon: Vocals
Guests:
Neil Martin: Cello, Uilleann Pipes, Additional Keyboards
Mario N'Goma: Percussion
Richie Buckley: Saxophone

↧

Le petit bal Ratamouche - En dansant ! (2016 France) @320

February 22, 2020, 7:03 am
$
0
0
With a few musical notes and a few explanatory sentences, you're in the dance, with or without your parents. "Le Petit Bal Ratamouche" is a circle that turns upside down, captains who make bridges, a song under the stars ... not to mention the princesses in their handbags.

The three artists offer their little ball for moments to spend with family or children, at the heart of a festival, school, city or any other special event. They lead projects in schools around song, dance and traditional music, leading to a friendly and (re) creative ball practice.
(google-translate from french, sorry) 

Tracklist:
1. La Princesse au sac à man
2. Casse-noix, casse-noisette
3. Papa t'es pas là
4. Monte à bord
5. La randeonnée du merle
6. Mazurka pour Manu
7. Valse des trois boutons
8. L'ïle aux animaux
9. J'ai vu le loup
10. Sous les étoiles
11. Hautes herbes
12. Si t'es pas farouche

Musiciens :
Catherine Faure (chant, accordéon, violon),
Anne-Lise Foy (chant, vielle à roue),
Jean-Pierre Sarzier (clarinettes bambou, en hut et basse)

Musiciens invités :
Patrick Reboud (accordéon, accordina)
Marie Mazille (clarinette sib, violon, componium)



↧
Search

Wouter En De Draak - Wouter En De Draak (2017 Netherlands) @320

February 24, 2020, 1:37 am
$
0
0
Tracklist:
01. Vliegende graafmachine (Waltz in 5)
02. Hanterko (Hanterdro)
03. Werkelijk waar! (Scottish)
04. Davy's Waltz (Waltz in 8)
05. New Horizons, New Adventures (Cercle)
06. Zon op de Glijbaan (Mazurka)
07. Ballon , Tosti (Scottish)
08. He'pter (Waltz in 11)
09. Witte Tonny , Witte Danny (Jigs)
10. Dieseldrone , Ménage à Trois (Bourrée in 3)
11. Monsieur 7 (Mazurka)
12. Gavotte de Grenoble (Gavotte de l'Aven)

Joris Alblas: acoustic guitar (DADGAD)
Wouter Kuyper: diatonic accordion
with:
Isaac Muller: irish flute (2, 5, 6)
Frank van Vliet: flugelhorn, trumpet (7, 10)
Roeland Uijtdewilligen: percussion (2, 3, 9, 10) 
 

↧

Left Blank's Compil Folk 62

February 27, 2020, 6:41 pm
↧
↧

Reelroadъ - Выйду за ворота / Viydu za vorota (2014 Russia) @320

March 3, 2020, 8:16 am
$
0
0
Tracklist:
01. Rozan
02. Vdol' po ulice Vanjusha
03. Vo luzjah
04. Raz zadumal stariy ded
05. Bereznichek
06. Polno-polno
07. Oh, udarila dubinka
08. Uzh vy golubi
09. Viydu za vorota
10. Vinograd so yagadoi
11. Vo syrom boru tropinka
12. Kak u nashih u vorot

↧

Happy Birthday!

March 4, 2020, 6:17 am
$
0
0
The Folk Yourself team wishes the father-founder a happy birthday! 
Congratulations to CrimsonKing!
https://avatars.mds.yandex.net/get-pdb/1767558/894f222e-1a18-4a3c-9b9f-b5bab474b4b5/s1200
↧

Clica Dròna - Clica Dròna (2013 France) @320

March 11, 2020, 3:08 am
$
0
0
Fruit of the inevitable meeting of young dancing musicians from the Toulouse region: voice, hurdy-gurdy, boha, violin, accordion, tountoun ... The Clica Dròna swings and makes the drone sound.
Experimenting with an anchored dance music, sometimes wild or tame, it evolves in the footsteps of engaged Gascon smugglers.
(google-translate from french, sorry)

Tracklist:
1. Drone gascon
2. Coisinièr / Trilha. Seguida de Rondèus. (Rondeaux)
3. Suu Nòs Taulèr. Valse.
4. Seguida de Pòlcas (Polkas)
5. Power Snake. Scottish.
6. Pas de Quatre.
7. Quan Hèn L'amor. Rondèu (Rondeau)
8. L’aulhada. Branle.
9. Còrna de Boei. Congò (Congo)
10. Lo Bordon. Borreia. (Bourrée)
11. Drònesca. Scottish.
12. A Bordèu. Rondèu. (Rondeau)

Daniel Detammaecker : Toun-toun électro-acoustique, voix, bendir, trucanètas, objets sonores.
Bastien Fontanille : Vielle à roue électro-acoustique , voix, percussions, objets sonores.
Adeline Quentin : Accordéon diatonique, violon, voix, objets sonores.
Adrien Villeneuve : Boha (cornemuse de Gascogne), voix, flûte à trois trous, objets sonores.

↧
Viewing all 862 articles
Browse latest View live
Search
<script src="https://jsc.adskeeper.com/r/s/rssing.com.1596347.js" async> </script>